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About us

‘TRANSITION ZONE’ is organised by Stichting In Principio (SIP) in collaboration with Stichting Ontwikkelingsmaatschappij ENCI-gebied (SOME)
Project manager:
-          Krien Clevis (curator/artist/researcher PhD)

Project assistent:
-          Eline Kersten (curator/artist MA)

Webdesign:
-          Maarten Davidse (artist/designer MA)

Webmaster:
-         Christy Westhovens (artist/researcher BA)

Collaborating partners:
-          Stichting Ontwikkelingsmaatschappij ENCI-gebied (SOME): Peter Mergelsberg (director) and Cecile Hassing (and related parties)
-           Natuurhistorisch Museum Maastricht/Centre Céramique
-           Universiteit Maastricht
-           Lector ship Autonomy and Public Sphere in the Arts (AOK): Dr. Ruth Benschop (Lector)
-           Kunstacademie Maastricht

Stichting In Principio (SIP)
-          Prof.dr. Eric Moormann (professor Classical Archaeology Radboud University Nijmegen), chairman
-          Meindert Niemeijer (graphic designer), secretary
-          Gerard Kahmann (accountant), treasurer
-          Lidewij de Koekkoek (director Rembrandthuis, Amsterdam), general board member
-          Krien Clevis (kunstenaars/onderzoeker/curator PhD), general board member
KvK-nummer 12052939

Advisory board ‘TRANSITION ZONE’
-           Prof. Dr. Gert-Jan Burgers (professor in Mediterranean Archaeology at the Faculty of Humanities of the Vrije Universiteit Amsterdam/ director of CLUE+, the VU interfaculty research institute for Culture, Cognition, History and Heritage, Amsterdam
-           Dr. Benoît Mater (transitiemanager/Kwartiermaker Romeins Museum, Heerlen)

Participating artists 'TRANSITION ZONE'
Names Participant 'OVERGANGSZONE' Website
Louisa Vergozisi 2020-2021 www.louisavergozisi.com
Miriam Sentler 2016-2021 www.miriamsentler.com
Eline Kersten 2016-2021 www.elinekersten.nl
Emile Hermans 2016-2021 www.emilehermans.com
Simon Weins 2016-2021 www.simonweins.com
Joep Vossebeld 2016-2021 www.joepvossebeld.com
Gladys Zeevaarders & Sophie Johns 2016-2019 www.gladyszeevaarders-sophiejohns.com
Charlotte Koenen 2016-2018 www.charlottekoenen.com
Karel Dicker 2016-2018 www.kareldicker.com
Christian Berens 2016-2018 www.docking-station.org
Charlotte Lagro 2016-2018 www.charlottelagro.com
Maarten Davidse 2016-2018 www.maartendavidse.nl
Sanne Vaassen 2016-2018 www.sannevaassen.com
Participating artists 'PIONEERS'
Namen Kunstopleiding Website
Rod Summers (1943) Van Eyck Academie (1974-1977) www.vecworldservice.net
Jasper Coppes (1983) Gerrit Rietveld (2004-2008)
Van Eyck Academie (2010-2012)
Glasgow MFA (2013-2014)

www.jaspercoppes.com
Chaim van Luit (1985) ABKMaastricht (2007-2011)
Van Eyck Academie (2013-2014)
www.chaimvanluit.com
Bart Lodewijks (1972) St. Joost Breda (1990-1995)
Piet Zwart R’dam (1995-1996)
Sandberg MFA (1996-1998)

www.bartlodewijks.nl
Krien Clevis (1960) ABKMaastricht (1979-1984)
Van Eyck Academie (1984-1986)
PhD Arts/Univ. Leiden (2009-13)

www.krienclevis.com
Astrid Mingels (1987) ABKMaastricht (2009-2013)
LUCA, Brussel MFA (2013-2014)
www.astridmingels.com
Kristina Benkocki (1984) Gerrit Rietveld/University of Arts, Belgrado (2005-2009)
MA Aristic Research KABK, Den Haag (2009-2011)
Van Eyck Academie (2015-2017)
www.kristinabenjocki.com
About the curator
Krien Clevis is an artist/curator/researcher (PhD). She is lecturer at the Faculty of the Arts, Maastricht, where she teaches Artistic Research. In 2015/2016 she developed the concept ‘TRANSITION ZONE’ as part of her Postdoc at the Lectoraat Art, Autonomy and Public Sphere (AOK) of the Arts Faculty in Maastricht, an interdisciplinary research project which focuses on artistic research in collaboration with stakeholders and involved parties at the ENCI-area in transformation. This concept is an extension of her promotion research. In her thesis LOCVS (2013) she investigated the notion and quality of ‘place’ – especially in the power of change – and confronted this artistic research with archaeological debates about place. Her research combines historical/archaeological, artistic and personal exploration of locations, with the aim of adding new or alternative meaning to layered places. She is doing this using a relatively new method in the arts, though currently introduced in the fourth field of academia: Artistic Research.

www.krienclevis.com